In a year where live performance is struggling as never before, this has been a phenomenally innovative and incredibly memorable time for the unstoppable theatre artists of LA. If you’re still staying home and not yet out supporting our prolific community, lordie, lordie, are you ever missing out.
It wasn’t difficult to choose a Best Season standout for 2023. My alma mater Pasadena Playhouse, where I studied back when the dinosaurs roamed El Molino Avenue during the time when it was still a college of the theatre arts, has received my top three Revival Awards for 2023 among many other awards and nominations. The Playhouse offered not only a worldclass season of Sondheim presented in a most loving and reverent way, the Sir Steve festival was followed by Zora Howard’s Pulitzer finalist Stew, director Cameron Watson’s masterful mounting of Adam Rapp’s The Sound Inside, and Michael Michetti’s inventive reinvention of Lawrence and Lee’s classic Inherit the Wind—a production especially dear to my heart as a member of the original Broadway production when I was just a barefoot lad. Oh—and did I mention the Playhouse was honored with the Regional Theatre Tony Award for 2023? None too shabby.
For me, there were a lot of much-talked about presentations I didn’t get to see, particularly in the spring when I traveled to South America for the first time (Buenos Aries, Argentina; Santiago, Chile; and Montevideo, Uruguay) to teach three incredible acting intensives to some amazingly receptive students, repeating the same inspirational opportunity to pass on—before I pass on—whatever knowledge I’ve gleaned over the past seven decades to another stand of eager and immensely talented students in Madrid and Barcelona last October.
Still, my 32nd annual TicketHolder Awards are chockfull of winners this year and, from what I see coming my way, 2024 will be equally dynamic in our too-often parched reclaimed desert climes, so come on back. We need you!